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The SC2070 utilizes a newly developed Air Motion Transformer RS7, which is the largest AMT used in a 2-way monitor. This AMT allows for exceptionally detailed resolution of high and upper mid frequencies, making this monitor the perfect tool for mid-sized professional recording studios as well as home studios where quality is paramount.
The SC2070 combines the eminent technologies of the SC3070 and the TEC Award-winning SC4070 in a compact 2-way system. The brand-new Air Motion Transformer RS7 represents a new level of innovation. RS7 has been specifically developed for SC2070 to achieve a crossover frequency at 1800Hz that is astonishingly low for a 2-way monitor. The diaphragm area is 1.5 times larger than that of the tweeter's membrane used in SC207. High and upper midrange frequencies are reproduced with unparalleled precision and resolution, revealing smallest nuances.
An optimised, low-resonance enclosure with a reinforced front baffle houses the Air Motion Transformer RS7 and a 6.5" SilverCone woofer, as well as the amplifier unit with a total output power of 250W. Intelligent protection mechanisms prevent the drivers from overload. The bevelled cabinet edges reduce sound diffractions.
All adjustments can be made via the SMART-knob, which is a trademark of all EVE Audio studio monitors. Thus, a variety of improvements to the respective room situations can be made in the easiest way possible from the front of the studio monitor. On the strength of the combination of these technologies, the SC2070 offers unmatched performance for its compact size with maximum impulse fidelity.
The Air Motion Transformer RS7, specially developed for SC2070, is the largest AMT used in a 2-way monitor. The diaphragm area is 1.5 times larger than that of AMT RS1, RS2, RS3 and RS3.1 used in our other models and almost as large as in AMT RS6, which is employed exclusively in our main monitors SC3010 and SC3012. With great precision and detail, the RS7 reproduces silky smooth top end down to upper midrange frequencies. With a crossover frequency set to deep 1800Hz, the midrange imaging is assured at levels like those normally found in 3-way systems.
The 6.5" SilverCone woofer is driven by an advanced, low distortion copper cap magnet system with a 1.5" voice coil. The combination of very light and extremely stiff honeycomb cone material enables this woofer to provide a solid base with low distortion and precise and dynamic bass.
Two high-quality Class D amplifiers complete the system and provide enough output power to meet the demands of modern music production. The maximum input level can be adjusted between 7dBu and 22dBu to ensure the best possible A/D converter resolution.
All EVE Audio monitors feature a high-resolution DSP electronics. A high-quality analog/digital converter from BurrBrown (24bit/192kHz) converts the analog input signal supplied via RCA or XLR. The DSP provides latency-free filtering while protecting tweeter and woofers against overload across the entire frequency range. When switched on, the volume of the monitor increases slowly to leave enough time to reduce the source volume if the input signal is too loud.
Adjustments to the acoustic environment can be made via the front rotary/pressure encoder, the SMART-knob with rotating LED ring. This knob allows the levelling of system volume as well as the adjustment of filters for room variables (low shelf, mid eq and high shelf filters). All settings are displayed on the LED ring, providing instant information about the selected values. The brightness of the LED ring can be adjusted for dark studios or video applications.
High-quality Class D amplifiers complete the system and deliver enough power to the demands of modern music production. Selected volume and/or filter settings can be independently fixed with DIP-switches that are positioned on the rear of the amplifier to prevent unauthorised or unintentional adjustments.
The rear-facing bass reflex channel is, as usual with EVE Audio, designed for low airflow noise and enhances the powerful and precise bass reproduction.
Low frequencies propagate omnidirectionally. The radiation of low frequencies is spherical and the wavelength very large. For this reason, the differences in the position of the bass reflex channels in relation to the wall are negligible.
For more information on our bass reflex port design, click here.
Free-field frequency response (1/6 oct.) Red = 0° / Green = 30° horizontal off-axis
Distortion Orange = 2nd / Green = 3rd vs frequency response (red)
Polar pattern (1m) Red = 200Hz / Green = 1kHz / Blue = 5kHz
|Dimensions (WxHxD) [mm]
|230 x 345 x 304
|Dimensions (WxHxD) ["]
|9.05 x 13.58 x 11.96
|Free-field frequency range (-3dB)
|38Hz - 25kHz
|Max SPL per pair
|Number of amplifiers
|Output power (woofer)
|Output power (mid-driver)
|Output power (tweeter)
|-inf. - +6dB
|System volume (Satellite & Sub)
|High-shelf filter (-5dB - +3dB)
|Mid EQ (-3dB - +3dB)
|Desk filter boost (0dB - +3dB)
|Desk filter cut (-5dB - 0dB)
|Low-shelf filter (-5dB - +3dB)
|LED brightness setting
|Level-lock dip switch
|Filter-lock dip switch
|Woofer-change dip switch (L/R)
|Input level dip switch
|Standby dip switch
|Satellite filter dip switch
|Switchable Satellite filter
|Variable Subwoofer filter
|XLR in (impedance)
|RCA in (impedance)
|Digital optical in
|RCA subwoofer out
|XLR in left (impedance)
|XLR in right (impedance)
|XLR in LFE (impedance)
|XLR out satellite left (impedance)
|XLR out satellite right (impedance)
|XLR out LFE (impedance)
|Backmounting thread inserts
|Mic stand thread inserts
|9.4 / 20.7